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https://w.atwiki.jp/krisallenjapan/pages/29.html
KAfanJPは皆さんの情報で成り立っております。 訳の協力、訂正をよろしくお願いいたします！ EW Let’s talk about your new single, “The Truth.” The album version of the song contains your vocals only. Now it’s been re-recorded as a duet of sorts with Train’s Pat Monahan (who co-wrote the song with Toby Gad). How did that come about? Kris Allen It came about through an idea from the label. Their idea was that Pat wrote the song, so why not get him involved in it in some way. And obviously Train is doing really well right now, and I don’t think that can be ignored. Everyone thought it was a good idea. The song wasn’t written as a duet. How did you decide which parts of the song Pat would be singing? Right, it wasn’t written as a duet, and I think the plan was to make it not seem like a typical duet. It wasn’t like, “Hey, I can sing a verse, then he can sing a verse.” ‘Cause then maybe we’re breaking up with each other, and that’s not what we were trying to convey. So we thought it would be good idea to just put him on the bridge. When it comes to the Idol universe, fans take a certain sense of ownership of your career, and they can get pretty worked up if they feel like you’re being done wrong. That was the case with this new version of “The Truth.” People were on the Internet asking, “What are Jive and 19 doing to Kris?” Conversely, though, it’s not like Beyoncé fans were upset when she recut “Video Phone” as a duet with Lady Gaga. Is there a worry that you might get painted with the victim brush? How would you respond to fans who are upset about the addition of Pat Monahan to this song? The funny thing is I get this all the time. “So when can you get out of this contract?” And I’m like, “First of all, hopefully never.” The people I work with are really great. The people at 19 and the people at Jive have been great. I’m not gonna say there haven’t been things that have happened, some conflicts. Not bad stuff — I think it’s just general stuff that goes on between artists and labels or whatever. Questions that come up. I’m very new to this. But it’s really nice to have fans who care about you, who want you to be done right, and for the label and management to treat you right. I think they felt like I wasn’t being cared for and being respected. And I appreciate them worrying about that. But I feel like I am. I really do. In an ideal world, would you have added the Pat Monahan vocals to the record? It never even crossed my mind to do that. So it wouldn’t have happened in my mind. It wasn’t that type of song where you say, “We need someone else on this.” Now that it’s done, I hope it does really well, man. I really do. Beyond how you visualize the song as an artist, I guess the reality is it’s hard out there to get radio play. Was that the mindset behind adding Pat? “Let’s do what we’ve got to do to get traction for this second single”? Well the first single ["Live Like We re Dying"] did so well. It took a while, but it’s done really incredible. It exceeded all my expectations anyway. But me, and everybody at the label, management, we all wanted this second single to do really well, and that was the idea that some people from the label came up with. A minute ago, you alluded to the fact that the new version of “The Truth” could conceivably be construed as a breakup ballad between two men. Was there any concern you were going to radio, which is a fairly conservative space, with a love story of Brokeback Mountain proportions? [Laughs.] It was a worry when the idea first came about. But I think all those worries have kind of been shoved in the closet — no pun intended. [Laughs.] Well, maybe that added layer of drama isn’t such a bad thing for some listeners. Yeah. Were you aware of the movement on Twitter where some of your fans changed their profile pics to elephants to pick up on the line in “The Truth” that goes “it’s the elephant in the room and we pretend that we don’t see it.” For some fans, it was their way of saying, “This song is not written by Kris. This is not the original version. And we are protesting.” And now that “The Truth” is officially the single, the elephant has maybe morphed into a show of support. I think it’s such a huge testament to my fans. I love my fans because they’re smart, dude. They get it. They get behind anything that I do. And so thank you so much to those people. They’ve really gotten behind this. I hope it takes off, I really do. I hope the song takes off. Your own mother had an elephant as her Twitter icon. That’s my mom. Did she want a Kris Allen co-write as the next single? Can we infer that from her elephant? Yeah, probably. She probably wants every song to be a song written by me. But she does like “The Truth,” though. A lot of people were saying David Cook’s album — the label did not go with the David Cook-penned singles to launch the album. And now we’re seeing that happening with you. You wrote or co-wrote the bulk of the album, but the first two singles were not ones you had a hand in writing. Are you going to stamp your feet if the third single doesn’t turn out to be a Kris Allen co-write? Or is it a case of “whatever works at radio”? It’s a little of both, I guess. That said, the only other option on the album [where that scenario could play out] is “Written All Over My Face,” and I really don’t think [that s likely]. I was part of the writing process on every other song on the album [except "Live Like We re Dying," "The Truth," and "Written All Over My Face"]. So yeah, I think it’s a really, really, really good chance the next single will be something I had a hand in writing. [Laughs.] They’re running out of options! Pretty much! Speaking of “Live Like We’re Dying,” you and I spoke shortly after its release, and at the time, it was a little bit of a slow build. But it really took off after — and eventually went platinum. To be honest, I was a little worried when it first came out and it wasn’t doing great. [Laughs.] But I think it’s just about working hard and getting people to hear the song, and then everyone started believing in it a little bit more. I remember getting a text from Keith Urban saying “I’m not gonna lie The first time I heard that song I wasn’t crazy about it. But after a couple listens, I really, really like it.” And I mean, I think that’s how everybody felt about the song. And I think that’s a testament to a good song. You don’t have to love ‘em the first time you hear ‘em. It grew on people. Well, I liked it from the get go. So there! Anyway, you’ve lined up a summer tour with Barenaked Ladies. We’re excited to be on tour with them. They have a huge live following, so that’ll be fun. We get to play in places like Red Rock because of them. We’ll be playing shows every night. Any additions to the set list from when you toured with Keith Urban? We’re gonna add some songs from the album. We haven’t played some of them yet, but once we get to rehearse them, we’ll pretty much play everything off the album. Maybe not at every show — we’ll switch it up. But we will play most of the stuff from the album. We’ve thought about adding some new cover songs. And maybe, maybe — just maybe — you might hear a new song. Maybe a couple. We’ll see what happens. You’ve become well-known for your brilliant mashups like “Falling Slowly”/”With or Without You” and “Heartless”/”Gangster’s Paradise.” Any new ones in the works for your summer dates? We love ‘em. The only reason I ever do them is when you play a song on American Idol and it becomes one of your best, you have to play it so many times, you think “Why not change it up a bit?” So yeah, for me, I don’t want to play just “Heartless.” You might as well mix it with something fun like “Gangster’s Paradise.” Given your penchant for quality mashups, any thoughts of trying to get yourself on Glee? I’ve never watched the show, so I don’t even know what it’s like. Probably not? That’s absolutely blasphemous. But then again, Madonna had reportedly never watched and they built an entire episode around her music. That’s true. Maybe it’s time for a Kris Allen-themed episode. Yeah, y’know, there should be a Kris Allen-themed episode! Yes! Okay, so I have to ask you about last week, where you did a duet with Allison Iraheta at a California high school as part of Oprah Winfrey’s No Phone Zone rally. You guys covered “The Scientist,” and it was all kinds of amazing. That was Allison’s idea. We heard about doing a song together only two days before we had to do it. And I was going out of town [on the second day] so I was like “Frick! What are we gonna do?” So she comes over to my house, I was staying in an apartment, and we go into the stairwell. I had the idea of doing “Desperado,” she had the idea to do “The Scientist,” and that worked way better, so we ran with it. We worked on it maybe 15-20 minutes, and it was really cool. That was the first time we really did a duet together, and obviously you know, she’s incredible, and it’s so much fun to work with her. Did that really happen at 7 a.m.? Yeah, it was really early. I got up at like five o’clock that morning. That was too early to be singing, but… When Oprah puts in a request… You just have to do it, right? Any other scoop you want to share? Um, maybe for August. Just be on the lookout. We’ll keep people updated on tour dates. Your scoop for me is “Maybe for August”? Could you be any more cryptic? What does that mean? Maybe for August! That can be the name of the interview. Michael Slezak
https://w.atwiki.jp/tljtrans/pages/204.html
Use door clamp Hack door clamp The EYE s put a clamp on Reza s door. They don t fool around, do they? Lucia Turn on radio That panel controls everything from the water temperature to the audio system. She won t get out on her own. I sure hope she isn t a real receptionist...or I m in serious trouble. Examine door with Sela locked up Watilla brain Watilla power source Examine watilla Remove broken parts Watilla parts Use brain Use power source Lucia s completely busted. Examine broken watilla I ve removed Lucia s power source and brain. Nothing left but mechanical parts now. Examine watilla, broken parts removed. The poor thing s got a brain, but no power. Examine watilla, brain replaced The poor thing s got power, but no brain. Examine watilla, power source replaced Lucia s back on her feet. I wish the same could be said for Wonkers... Examine repaired watilla Hide behind door Maybe I could squeeze in behind here... Hide Use elevator Quickly, get into the elevator. We can t stay here any longer. She s operating a soup kitchen. Examine soup lady close PLACEHOLDER RABBIT WRINKLING NOSE, THEN LEAPS AWAY. Opening shot of rabbit Give spices Those stairs have been blocked off by the cops. Uh-oh. I d better not try that again. Failed hacking attempt MISSING TEXT EXAMINE PIZZA SLICE Examine pizza slice Talk about an old fashioned way of staying warm. My Dad told me about conditions during the Collapse, but I didn t think people still lived like this. How do they keep those flames alive with all this rain? It s probably chemical. MISSING TEXT EXAMINE HOMELESS MAN WITHOUT KNOWING THAT HE WANTS FOOD. Examine without knowing he wants food MISSING TEXT EXAMINE HOMELESS MAN KNOWING HE WANTS FOOD. Examine knowing he wants food MISSING TEXT EXAMINE HOMELESS MAN AFTER FEEDING HIM. Examine after feeding him MISSING TEXT HOMELESS MAN WANTS WARM PIZZA, NOT COLD AND SOGGY. Give cold pizza MISSING TEXT HOMELESS MAN HAS BEEN GIVEN WARM PIZZA Give warm pizza Aaralyn Hey, Zoë! Passing by I ve added Mrs Mullins Mixed Spices to the wine. That should be it, then. Mulled wine. Examine with spices Examine empty bottle of wine Pick up empty bottle of wine It s an empty wine bottle. Empty bottle Fill wine bottle Homeless Man Homeless Girl Hack spyder Examine bathroom door Examine blinds Examine mysterious device Touch mysterious device Use bed Use toilet Examine lab Examine crate Open kitchen door Open store room door Warden Murron Elwyn Talk to Zoë Examine Zoë I represent the Tower. The warden of this prison. He is a true example of why women should be the ones in positions of power. The warden. He is a man who follows the book. To the letter. I have your lunch delivery. Informant Rope Look at snivelling rat bastard Talk to snivelling rat bastard What a despicable creature... All that I have been told about these magicals is true. They are filthy, traitorous, and soulless. Please, no, don t hurt me! Please! Apostle, there s a message for you. Watch it, boy! Kian curses Brynn I can t believe you re still being held up. The supplies should have left the city two days ago, and you with them. They look sturdy. They are built from a strange material that I have not seen before. Examine prison main entrance That tower looks like bad news. I m not going in there. I have not seen that material before. I am told that it s enchanted wood, to keep intruders out...and prisoners in. Few who have passed through the doors to Friar s Keep have ever come out again...except in a coffin. Hello, yes? Pardon me, mistress. Thought you could just ditch me, didn t you? Well, I have a surprise― Hey, psst! Psst! Acid Smoke bomb Wait. That man... He looks very familiar. Why am I thinking of moving stairways? Examine before talking Talk to Crow Use acidic potion on Crow Use smoke bomb on Crow MISSING TEXT APRIL EXAMINES CROW April examines Crow Knock on cell door Hey! Hello! Open up! Use acidic potion Examine jailer Smoke bomb jailer I ll need to get close enough to toss the knock-out potion at him. It worked. He s out cold. Examine smoke bombed Pick up key Prison key Examine door locked It s open. Examine door open It s unlocked. Examine door unlocked Hey, warden, what s happening with lunch? My stomach s killing me. Sandwich Combine Poisoned sandwich Examine soldier The city watch is supposed to run Friar s Keep...but everyone knows the truth. The Azadi are very much in control here. MISSING TEXT KIAN EXAMINES SOLDIER. XXX_Kian examines soldier The City Watch operates this facility, but it s used exclusively for prisoners awaiting transport to Sadir. I m guessing that handle controls the food elevator. It controls the food elevator. Put in food That s the food elevator. Examine closed elevator That s where the food goes. Examine open elevator That sandwich is ready to go. I just need to find out how to move the elevator up. Examine open elevator with food Unlock door April. Thank you so much for helping me― It doesn t look too heavy, but I ll probably need some help pushing it. April examines crate We can reach the window now. April examines crate after pushing it MISSING TEXT ZOË EXAMINES CRATE XXX_Zoë examines crate MISSING TEXT EXAMINE CRATE AFTER IT HAS BEEN PUSHED XXX_Zoë examines crate after it has been pushed Use rope There s a big metal hook on the wall. Examine hook The rope s securely fastened to the hook. It ought to be possible to climb out the window now. Examine hook with rope Climb out window It s a rope. Examine bundle of rope Those gates are pretty solid. No one gets in or out of here unless the warden says so. MISSING TEXT ZOË EXAMINES INSIDE GATES XXX_Zoë examines inside gates The cell door is locked. There s a hatch, but it only opens from the outside. Examine celldoor What do you mean, you re not getting involved? You are involved, April, whether you like it or not! April, what the heck is the matter with you? Open locker door Someone forgot to close their locker. Examine locker door Pick up suit Examine suit There s a uniform in here. It probably belongs to a maintenance worker or a cleaner. Examine wait suit This looks very complicated. Examine elevator panel It s not responding. I think I have to use Liv s software. Again. Use unhacked Examine bot It s a cleaning bot. I m guessing it patrols a limited area. MISSING TEXT TRYING TO PROGRAM BOT WITHOUT PUTTING ON WATI SUIT. XXX_Use without suit on MISSING TEXT PROGRAMMING BOT XXX_Use with suit on Examine Na ane Talk to Na ane A magical who lives out of the ghetto... She must be involved with the terrorists. Do not make a move, witch. I m sort of...preoccupied at the moment. Examine when sneaking Nothing here. Reza wouldn t keep any of his work on this console. Use computer I ll need to find a way to get onto the scaffolding without being spotted. He s dead. I should get on with it before someone finds his body. PLACEHOLDER GUARD IS KNOCKED OUT AND FALLS SILENTLY TO THE GROUND. Guard knocked out I should be able to climb all the way up to the bridge between the tower and the new barracks. Examine ladder, Guard knocked out Halt, citizen. This area s closed. Please leave immediately. PLACEHOLDER Poor me! I am done for! 4 years of hard labor awaits me now... Game over! Good God. Roper Klacks? PLACEHOLDER REVEAL OF TOWER CINEMATIC. What in the name of the Six is going on? PLACEHOLDER THE GUARDS TURN ZOË AWAY. The guards are a bit more vigilant at night. I should stay away from them. Examine guard Commander Vamon. It s just around the corner. Whew! You re a fast walker. Hey, you. MISSING TEXT SHOULD BE POSSIBLE TO CLIMB ONTO THE ROOF OF THE CAR XXX_Examine climb car spot If I can just find something to stand on, I might be able to climb up there. Examine climb to ledge spot Examine key pad MISSING TEXT EXAMINE KEY PAD That gate leads into the factory yard. The fence looks brand new, and the gate s locked tight and likely guarded by all sorts of clever hardware. It goes all the way up to the roof. Examine ladder Climb inside Skylights. That one looks broken. XXX_Examine broken window far It s too grimy to see through. Examine window near There are wide girders spanning the factory hall just below the window. Examine broken window near I don t think I can kick this one in. Examine grate There s a grate in the floor over there. It looks like a ventilation shaft of some sort. I can feel a draft. Examine door to lab area That door looks different from the rest of the interior. This was definitely put up quite recently. It looks brand new. Examine crane control panel Crane down It s a control panel. Examine far on This console controls the winch - up and down. Examine near on Crawl through grate It s completely dark down there, but I can feel a draft. It definitely leads somewhere. Examine grate removed Examine drawer Open drawer That drawer is unlocked. It s a small key. Small key Examine filing cabinet Unlock and open filing cabinet This door leads out to the factory floor...but it s closed, and there s no handle. Examine from lab side That s a datacube. Pick up access key It s an access card. Access card Unlock and open That panel controls the loading bay doors. Examine loading dock panel PLACEHOLDER APRIL LISTENING TO SAYHA AND HOODED MAN. CINEMATIC PLACEHOLDER ―the delays are out of my hands, Prophet. Of course. I understand perfectly. We will finish on time. We have taken on more workers, and we are making progress by the day. We will reclaim the time lost, Prophet. The tower will stand ready for the inauguration. I swear by the Six that I shall not disappoint you. May the Goddess bless your path, Prophet. Excuses Inside Tower PLACEHOLDER Grubbers detect, attack and defeat April That thing looks like a bigger and much meaner version of those creatures down in the dungeon. It s huge. I don t think I could take that thing down. Hey, help me push this thing over to that wall. Push Examine padlock It s locked. The jailer probably has the key. There must be another room back there. Examine after trying to open The ghetto s closed. Okay. Shit. Reaction to reveal Friar s Keep... Just looking at it gives me the creeps. Cells PLACEHOLDER Taheran soldiers harrass the nobel, innocent farmer. Damn facists! Climb down If I close the door, the spider will probably wake up. Bad idea This is it, Apostle. The Empire s greatest achievement east of Sadir. A monument to our might and to our faith. I should not keep the Emissary waiting. Mistress PLACEHOLDER FIGHT, WIN, GO TO MARCURIA, DONE Zhid Examine Fringe front door It s a buzzer. Examine chapter 0-4.99 I m not going back there. Examine chapter 5.00 Use spices Poof Dadee That must be Crazy Clara s pet! It s really cute. Hey, you can t go in there! The tunnel just vanished! If I didn t know better, I d say it was...magic. Blind Bob wants mulled wine, not just hot wine. I need to add the spices before filling the bottle. Use bottle without adding spices Kick KICK It s locked. What the hell is this place? I must be dreaming. Everything down here looks ancient. Who stores food like this? That machine looks all new and shiny compared to the rest of the stuff down here. The...the opening is completely gone. What the hell is going on here? So I guess I m in a place where they make their own wine. That window looks into the Journeyman s garden. MISSING CINEMATIC - Glimpse of Hooded man Inn Cellar Night Examine Elgwan Examine Beleris The prices here are too steep. We do most of our business in Oldtown. The fish merchant. I m not looking to buy anything from her. She s a merchant. Talk to Nana Nya It is strange to see these magicals walking freely about, as though they were human. He s handsome. Blue suits him well...and me, too. Many Dolmari have fled east to the Irhad. Some say they re building an army. I hope that s true. He is prideful...but without good reason. What is there to be proud of when you are a magical? I think I ve seen him before. What s he doing here? You don t see a lot of humans in the ghetto these days. I wonder if he s an Azadi spy... What s a human doing here in the ghetto? Maybe he s a rebel sympathiser. He s guarding the gate. There are soldiers everywhere. The Azadi think that will protect them against the terrorist threat . They re mistaken. I like her colour a lot. The Dolmari have had it especially tough after the Azadi came, seeing how integrated they were in Marcurian society. If I didn t know better, I would think she was a blue human. But she s less than that. She is a magical. He s Zhid. There are fewer and fewer of them around these days. Most have left the city and gone east. Brian Westhouse, looking younger and healthier than he did ten years ago. There are guards everywhere, I swear to God. The Azadi are paranoid. And with good reason. These young men serve their Mistresses well. She s a funny old girl. She appears to be a woman of high standing. She is certainly aggressive. There used to be thousands of Dolmari in Marcuria. Nowadays, you ll only find them in Oldtown, and there are few left. Okay, so she s blue. There s nothing wrong with that. Not at all. Her skin is blue, but otherwise... Otherwise she looks like a woman. Daen has escorted me here to the tower, and he has also shown me some of this strange city. Jiva Reza s Apartment Marco Polo Journeyman Inn Morning Burrow Crook Morning South Gate Market Morning Journeyman Inn Night Magic Docks Crab Bend Journeyman Inn Day Venice Crossroads Tower Square Night You don t see a lot of Zhid in Marcuria these days. She has catlike features. It s really beautiful. She...this thing, she is obviously female. A woman. Her features may not be human, but she is...attractive. Friar s Keep Reclaim brain Listen in Azadi Guard My Wizardin Days Are Over Push crate He s out cold. Talk examine Alchera Morpheus Destiny Convergence All that we see or seem... Crossroads Faith Reversal The Longest Journey Dreamfall This world and the people here look like a mix between a fairy tale, a fantasy role-playing game, and Charles Dickens London. Examine second Nice clothes. Too bad I could never wear anything like that at home...except at a fancy dress party. Examine car wreck It s an active data panel. I d need a suitable card or datacube to use it. That thing looks absolutely lethal. It s about to fall. All it needs is a little...encouragement. Examine Use access card Looks like a data panel connected to the gate. Russia Rooftop Examine fuse box Looks like a power switch. This is definitely where the power to this place is routed through. Examine near closed There s a big power switch in here. Examine near open MISSING TEXT Examine fixed fuse box. Examine fuse box fixed Open lid I ought to be able to get up there...somehow. This probably controls the gate, but it doesn t appear to be active. No. This is where the signal originated. If I go back now, I ll never find out what s going on...or what s happened to Reza. Benrime s burned all the forbidden books, and she s bought a bunch of Azadi approved ones. No one reads those. Benrime. She s the one thing in my life that hasn t changed in the past decade. Benrime s taking a great risk in helping the rebel movement. Benrime had to install these Azadi beer taps to avoid unwanted attention. She needs to stay on friendly terms with the enemy. We have to travel light, and we have to stay packed...just in case. I wish I could just sit down, gaze into the fire, and forget everything. (Sighs) But I can t. Na ane joined my outfit only a few months ago, but she s proven to be a valuable asset. Her magic is very powerful. If there s one thing we have enough of, it s weaponry. What we need more of is food, warm clothes, and medicine. Brynn s showing a lot of promise, but he needs to cool down a bit, or he ll get hurt...or killed. Apples. Maybe we should bring a couple of barrels back to the swamplands. I think people would appreciate that. Examine view Talking to Zoë Examine barrel Hello, is Charlie there please? My name s Zoë. I m a friend of Reza. I m looking for him. I think he might have been here. I don t know anybody named Reza. Sorry. Goodb― Wait! He s a reporter, goes by the name Jericho . All right. Come on in. Right. Actually, I think I left it upstairs. Oh. Right. No, I was just, you know, checking out the weather. Looks nice. I ll go put on some clothes now. Oops. Yeah. I should hurry. Reza and me...back when we were a happy couple. Hey, are you done? I just got out. I m on my way. Coolness. I have an appointment later this afternoon, so I just wanted to make sure you remembered. I ll be there in a few minutes. See ya! Liv, my best friend in the whole wide world. Looks like she s eating lunch. Examine Olivia again The Sky s tracking a live one on the premises. Proceed with caution. Sir! We ve got a body! That s the woman we re looking for. Rio Kuroki. Sir, we ve got a lock. In there. Go. Reza s notepad... Locked and encrypted. Of course. Um. Hi. It s me. Your...your mobile s probably been switched off for, uh, for obvious reasons, but if you do get this message... Reza... Please, please come home. I m sure things can be sorted out if you just come home. I m really worried. Call me, okay? Come on, Dad. Please pick up, please pick― Hello, Zoë― ―I m sorry, but I m currently away from my phone. Leave me a message, and I ll call you back as soon as I can. Shit. Zoë Castillo, 449... 44929-dash-601421. Address and occupation. Jardin des Roses 42A, Casablanca, CA 1011. I m, uh, unemployed. You are being held under the Syndicate Anti-Corporate Activities statute in connection with murder and possession of contraband software. You guys shot me. Isn t that a violation of my rights as a citizen? As of this moment, Ms Castillo, you have no rights. What were you doing in Mr Temiz s apartment? So where did you get the datacube? What datacube? I will remind you that your freedom is in the balance, Ms Castillo. We have enough to convict you on several accounts. You could be facing up to thirty years in a corporate prison. Or you could choose to cooperate. I m cooperating here! I honestly don t know anything about a datacube. Where did you pick up this package? Helena...Helena something. I can t...Chang! Helena Chang. Look, I was doing Reza a favour. He told me to pick it up and bring it over to his place. That s all. This Helena person, she had something that s connected to a story Reza s working on. He didn t tell me. He never tells me. It really was just a favour for a good friend. Cooperate I shouldn t play with fire I want a lawyer. Counteract I m just going to lawyer up Name and CID number. Now. I was scanned when I was brought in. You know who I am. What were you doing in Mr Temiz s apartment? Reza - Temiz - asked me to do a favour for him this afternoon. He s a good friend of mine. Best to be up front about it I would strongly suggest that you cooperate in every way possible, or face the consequences. I just came by to say hello, and noticed that the door was open. I walked in, saw the body - next thing I know, the cops boom me. I m not giving them anything I went to pick up a package downtown, and I was just dropping it off, when... Well. You know. A datacube was found in your possession containing highly sensitive information. Are you sure it s wise to keep denying your involvement? I don t... Look, I was carrying a package. Someone gave it to me. I was supposed to deliver it to Reza - but he didn t know about it. Company called Jiva. They re located in the Seshadri building downtown. I can t remember the floor. And who did you meet at Jiva? Who was the package from? A woman who works at a company downtown. Jiva. Her name was...Chang, I think. Helena Chang. How did Chang get in touch with you? I don t understand what― If your friend Mr Temiz knew nothing about this, how did Chang contact you. Look... Okay, so I was helping Reza out. He asked me to pick up the package for him. But he didn t know what was in it! He never saw it. Whatever was inside, the only person responsible is Helena Chang. You should be interrogating her. All Reza did was talk to the woman. He s working on a story, and she s a source. Please, you have to believe me. I don t know what s going on. I was just in the wrong place at the wrong time. I need to make him understand that I had nothing to do with this I m sure there s a good explanation for everything. Reza wouldn t ever harm anyone. I m sure he ll understand if I just reason with him What kind of story? I don t know. He didn t tell me. Yes, you were. We know that you had nothing to do with the murder, but that does not clear you from the charges. You are to remain in Casablanca for the time being. If Mr Temiz attempts to contact you, you are to call us immediately. If Mr Temiz attempts to contact you, Ms Castillo, you will call us immediately, and you are not to leave Casablanca without our permission. Now, tell us again, from the top. What did Mr Temiz ask you to do for him? Hi, it s Zoë Castillo again. May I come in? Subsequent visits That s right. Has he been here? How do you know Jericho? We go way back. If you re such good friends, why do you need to track him down? Can t you just call him?
https://w.atwiki.jp/srwogskouryaku/pages/195.html
ALLWOG1(ALLW) OG2/2.5(ALLW) ALLOG1(ALL) OG2/2.5(ALL) ALLW ダブルアタック使用可能な武器。最大で4機(ツイン2組)同時に撃墜可能。弾数･ENは攻撃回数分使われる。 通常のALL武器としても使用可能。 MAP兵器と違いデメリットがないので積極的に使用していきたい。 ツインユニット形成時でも使用可能なので、努力･幸運･修行･応援･祝福の節約にもなる。ただし通常の全体攻撃がメイン･サブ両方で同時攻撃できるのに対し、ダブルアタックは片方のみで仕掛けることになる。 違う敵勢力同士が並んでいる所へはダブルアタックが使用できないので注意。 OG1(ALLW) 機体名 名称 分類 属性 種別 攻撃力 射程 EN 弾数 気力 命中 CT 地形適応 備考 上昇値/費用 汎用武器 M13ショットガン 射撃 P ALLW 2700→4900→5900 2～3 - 7 - +50 +50 空A陸A海A宇A 2200/165000 ヴァイスリッター オクスタン･ランチャーE 射撃 B ALLW 3400→5600→6600 4～7 15 - - +35 0 空A陸B海D宇S 2200/275000 R-2パワード ハイゾルランチャー(散弾) 射撃 B ALLW 4500→6100→7100 1～6 40 - 110 +40 +5 空A陸A海C宇A 1600/357500 ハガネ 連装衝撃砲 射撃 - ALLW 4000→5900→6900 3～8 40 - - 0 0 空A陸A海A宇A 1900/275000 クロガネ 連装衝撃砲 射撃 - ALLW 4000→5900→6900 3～8 30 - - 0 0 空A陸A海A宇A 1900/275000 ヒリュウ改 連装ビーム砲 射撃 B ALLW 3600→5500→6500 2～8 25 - - +15 0 空A陸A海C宇S 1900/275000 ALLWが少なく、汎用機ばかりのOG1では改造効率が良く使い回せるM13ショットガンをフル改造して使用していきたい。今回のショットガンは改造効率もかなり高く特殊弾も使用可能と、ある意味ではM950マシンガン以上に強力な武器となっている。 ハイゾルランチャー(散弾)は初期攻撃力が高く、無改造でも熱血等を併用すれば同時撃墜も問題ない。フォーメーションRの基礎武器でもあるため、重点的に改造したい。 OG2/2.5(ALLW) 機体名 名称 分類 属性 種別 攻撃力 射程 EN 弾数 気力 命中 CT 地形適応 備考 上昇値/費用 汎用武器 M13ショットガン 射撃 P ALLW 2600→4800→5800 2～3 - 7 - +60 +55 空A陸A海A宇A 2200/165000 汎用武器 ガンレイピア 射撃 PB ALLW 3500→5400→6400 1～3 10 - - +10 +10 空A陸A海B宇A 隠し武器 1900/275000 汎用武器 リニアミサイルランチャー 射撃 - ALLW 3600→5500→6500 1～6 - 15 - +50 +20 空A陸A海B宇A 1900/275000 ヴァイスリッター オクスタン･ランチャーE 射撃 B ALLW 3500→5600→6600 4～8 15 - - +35 0 空A陸B海D宇S 2200/275000 ライン･ヴァイスリッター ハウリング･ランチャーE 射撃 B ALLW 3800→6000→7000 3～8 20 - - +35 0 空A陸B海D宇S 2200/165000 ビルトファルケン オクスタン･ライフルE 射撃 B ALLW 3800→5700→6700 3～7 10 - - +35 +45 空A陸B海D宇S 1900/275000 ビルトファルケン･タイプL オクスタン･ライフルE 射撃 B ALLW 3600 2～4 10 - - +35 +45 空A陸B海D宇S R-2パワード ハイゾルランチャー(散弾) 射撃 B ALLW 4500→6100→7100 1～6 40 - 110 +40 +5 空A陸A海C宇A 1600/357500 アウセンザイター ランツェ･カノーネW 射撃 B ALLW 4800→6400→7400 3～8 - 5 120 +25 +20 空A陸A海B宇A 1600/357500 アンジュルグ(前期) シャドウランサー 格闘 P ALLW 2900→5400→6400 2～4 - 10 - +30 +35 空A陸A海B宇A 2500/110000 アンジュルグ(後期) シャドウランサー 格闘 P ALLW 3200→5400→6700 2～4 - 12 - +30 +35 空A陸A海B宇A 2200/110000 ラピエサージュ O.O.ランチャー 射撃 - ALLW 4200 4～10 - 10 - +45 +35 空S陸S海B宇S ペルゼイン･リヒカイト ライゴウエ 射撃 - ALLW 4200 3～9 15 - - +40 +0 空A陸A海D宇A ハガネ 連装衝撃砲 射撃 - ALLW 4000→5900→6900 3～8 40 - - 0 0 空A陸A海A宇A 1900/275000 クロガネ 連装衝撃砲 射撃 - ALLW 4000→5900→6900 3～8 30 - - 0 0 空A陸A海A宇A 1900/275000 ヒリュウ改 連装ビーム砲 射撃 B ALLW 3600→5500→6500 2～8 25 - - +15 0 空A陸A海C宇S 1900/275000 シャドウランサーはP属性･ALLW･超改造効率と三拍子そろった武器。改造必須。 リニアミサイルランチャーはそこそこに攻撃力があり、射程と弾数に優れる。特殊弾も装填可能で、P属性を付加すればバランス崩壊クラスの性能になる。ミサイル系のためジャマーに妨害されるが必中や直撃でフォロー可能。 ALL ALL武器同士でのツインアタックが可能なので、それも合流に際して考慮するとよい。 OG1(ALL) 機体名 名称 分類 属性 種別 攻撃力 射程 EN 弾数 気力 命中 CT 地形適応 備考 上昇値/費用 汎用武器 グラビトン･ランチャー 射撃 ALL 4800→6400→7400 2～8 35 - 120 +45 +10 空S陸S海S宇S 隠し武器 1600/357500 SRX ハイフィンガーランチャー 射撃 B ALL 3500→5100→6100 1～9 - 10 - +30 +10 空A陸A海D宇A 1600/357500 R-3 念動収束式Lキャノン 射撃 - ALL 3300→5200→6200 1～6 10 - - +40 +5 空A陸A海C宇A 念動力L1 1900/275000 R-3パワード 念動収束式Lキャノン 射撃 - ALL 3300→5200→6200 1～6 10 - - +40 +5 空S陸A海C宇S 念動力L1 1900/275000 R-GUN メタルジェノサイダー 射撃 - ALL 4800→6400→7400 3～9 50 - 130 +40 +15 空A陸A海B宇A 1600/357500 アルトアイゼン スクエア･クレイモア 格闘 - ALL 4200→6100→7100 1～2 - 4 110 +50 +50 空A陸A海B宇A 1900/275000 ビルトラプター ハイパー･ビームライフル 射撃 B ALL 3500→5400→6400 1～7 15 - - +35 +20 空S陸A海D宇S 1900/165000 グルンガスト零式 ハイパーブラスター 格闘 P ALL 4150→5850→6850 1 30 - - +30 +10 空A陸A海C宇A 1600/357500 グルンガスト ファイナルビーム 格闘 P ALL 4300→5900→6900 1 35 - - +5 +10 空A陸A海D宇A 1600/357500 グルンガスト2号機 ファイナルビーム 格闘 P ALL 4300→5900→6900 1 35 - - +5 +10 空A陸A海D宇A 1600/357500 グルンガスト弐式 マキシ･ブラスター 格闘 - ALL 4100→5700→6700 1～7 25 - - +40 +5 空A陸A海C宇A 1600/357500 アーマリオン スクエア･クラスター 射撃 - ALL 3700→5900→6900 2～6 - 15 - +30 +15 空A陸A海B宇A ミサイル系 2200/165000 ジガンスクード ギガ･ワイドブラスター 射撃 - ALL 4200→5800→6800 4～9 40 - 120 +20 +5 空A陸A海C宇S 1600/275000 アーマリオンのスクエア･クラスターの弾数･改造効率が光る。ビルトラプターのハイパー･ビームライフルもかなり優秀。 グラビトン･ランチャーやメタルジェノサイダー、ギガ･ワイドブラスターは射程が優秀だが気力制限が厳しい。気合や気迫持ちを優先して乗せよう。 OG2/2.5(ALL) 機体名 名称 分類 属性 種別 攻撃力 射程 EN 弾数 気力 命中 CT 地形適応 備考 上昇値/費用 汎用武器 グラビトン･ランチャー 射撃 ALL 5000→6600→7600 2～8 40 - 120 +20 +10 空S陸S海S宇S 隠し武器 1600/357500 ゲシュペンスト･タイプRV メガ･バスターキャノン 射撃 - ALL 4900→6500→7500 1～8 - 8 110 +25 +35 空S陸S海A宇S バリア貫通 1600/357500 ヒュッケバインガンナー･タイプL グラビトン･ライフル 射撃 - ALL 4000→5900→6900 1～8 - 10 - +20 +30 空S陸A海B宇S 1900/275000 ヒュッケバインガンナー･タイプR グラビトン･ライフル 射撃 - ALL 4000→5900→6900 1～8 - 10 - +20 +30 空S陸A海B宇S 1900/275000 アルトアイゼン･ナハト スクエア･クレイモア 格闘 - ALL 4200→6100→7100 1～2 - 4 110 +50 +50 空A陸A海B宇A 1900/275000 アルトアイゼン スクエア･クレイモア 格闘 - ALL 4200→6100→7100 1～2 - 4 110 +50 +50 空A陸A海B宇A 1900/275000 アルトアイゼン･リーゼ アヴァランチ･クレイモア 格闘 - ALL 4800→6700→7700 1～4 - 8 110 +50 +50 空A陸A海A宇A 1900/275000 SRX ハイフィンガーランチャー 射撃 B ALL 3900→5500→6500 1～9 - 10 - +30 +0 空A陸A海C宇A 1600/357500 R-3パワード 念動収束式Lキャノン 射撃 - ALL 3400→5300→6300 1～6 10 - - +45 +5 空S陸A海C宇S 念動力L1 1900/275000 ビルトラプター ハイパー･ビームライフル 射撃 B ALL 3800→5700→6700 1～7 15 - - +25 +20 空S陸A海D宇S 1900/165000 グルンガスト零式 ハイパーブラスター 格闘 P ALL 4500→6100→7100 1 30 - - +30 +10 空A陸A海C宇A 1600/357500 グルンガスト ファイナルビーム 格闘 P ALL 4500→6400→7400 1 25 - - +5 +10 空A陸A海D宇A 1900/275000 グルンガスト2号機 ファイナルビーム 格闘 P ALL 4500→6400→7400 1 25 - - +5 +10 空A陸A海D宇A 1900/275000 グルンガスト弐式 マキシ･ブラスター 格闘 - ALL 4300→6200→7200 1～7 20 - - +40 +5 空A陸A海C宇A 1900/275000 グルンガスト参式 オメガ･ブラスター 格闘 P ALL 4600→6200→7200 1～3 30 - - +30 +35 空A陸A海C宇A 1600/357500 グルンガスト参式 オメガ･ブラスター 格闘 P ALL 4600→6200→7200 3～6 30 - - +30 +35 空A陸A海C宇A 1600/357500 龍虎王 マウンテン･プレッシャー 格闘 - ALL 4600→6500→7500 2～7 - 6 105 +15 +0 空A陸A海A宇A 1600/357500 アーマリオン スクエア･クラスター 射撃 - ALL 3800→6000→7000 2～6 - 15 - +30 +15 空A陸A海B宇A ミサイル系 2200/165000 ジガンスクード･ドゥロ ギガ･ワイドブラスター 射撃 - ALL 4700→6300→7300 3～9 30 - - +20 +5 空A陸A海C宇S 1600/275000 ラーズアングリフ マトリクス･ミサイル 射撃 - ALL 4000→5900→6900 1～8 - 2 - +45 +45 空S陸S海B宇A ミサイル系 1900/165000 ラーズアングリフ･レイブン マトリクス･ミサイル 射撃 - ALL 4000→5900→6900 1～8 - 2 - +45 +45 空A陸S海B宇A ミサイル系 1900/165000 ランドグリーズ マトリクス･ミサイル 射撃 - ALL 4000→5900→6900 1～8 - 2 - +45 +45 空A陸S海B宇A ミサイル系 1900/165000 ランドグリーズ･レイブン マトリクス･ミサイル 射撃 - ALL 4000→5900→6900 1～8 - 2 - +45 +45 空A陸S海B宇A ミサイル系 1900/165000 エクサランス･ストライカー プラズマビーム 射撃 B ALL 2900→5400→6400 1～5 5 - - +40 ±0 空A陸S水C宇A 2500/110000 エクサランス･フライヤー DライフルMAXモード 射撃 - ALL 4800→6700→7700 1～8 30 - 110 +40 +35 空S陸A水C宇B バリア貫通 1900/275000 アシュセイヴァー ハルバート･ランチャー 射撃 - ALL 4100→6000→7000 3～9 20 - - +30 +25 空S陸S海B宇S 1900/165000 ソウルゲイン 青龍鱗 格闘 - ALL 3200 2～5 5 - - +35 +20 空S陸S海A宇S ヴァイサーガ 烈火刃 格闘 P ALL 3500→5400→6400 2～5 - 8 - +45 +5 空S陸S海A宇S 1900/165000 グランゾン ブラックホールクラスター 射撃 - ALL 6000 1～8 90 - 130 +35 +0 空S陸A海B宇S
https://w.atwiki.jp/akatonbowiki/pages/7205.html
このページはこちらに移転しました I may not just ignorant of it 作詞/280スレ42 自分の趣味にあったネタを探しすぎてオナニーしすぎた 先生にいじられたり 女子高生にいじられたり 罰ゲームでいじられたり Ｍ物語 少ないな もっと増やせ 増やせ I may not be just ignorant of it I may not be just ignorant of it I may not be just ignorant of it
https://w.atwiki.jp/wiihack/pages/35.html
注意点 WAD Installer WAD Uninstaller WAD Manager WAD Packer WaadMaker Auto Injectuwad Injector 注意点 WADを扱うのは大変危険な行為です 最悪の場合Wiiが起動しなくなります それを承知した上で行ってください インストールしたWADは必ずWAD Uninstallerを使いアンインストールする事 管理画面から直接削除した場合*.TIKファイルが残ります ※一部Homebrew Channel等は*.TIKファイルが残りません 購入したVCやWiiwareは決してそのままパッキングしてインストールしない事 一見正常に見えますがそのままショッピングチャンネルへ行くと再度DLできなくなります チャンネルIDを変更すれば問題ありません もし誤ってインストールした場合は購入済みのソフトの正常なTIKファイルを取得するためにWii本体の初期化、ショッピングチャンネルへのアクセスを行う必要があります。 第三者へ無断譲渡しない事 言うまでもありませんがやめておきましょう WAD Installer HOW TO USE 1. Create a folder called "wad" in the root of the SD card. 2. Copy every WAD you want to install in the "wad" folder. 3. Run this application. 1.SDカードのルートにwadというフォルダを作ります 2.そのフォルダにインストールしたいWADファイルを入れます 3.WAD Installerを実行します KUDOS Michael Laforest, for the great wiiuse library. bushing and marcan, for their help. Everybody who helped me in the testing process. NOTES No more Wiimote support but now you can power off your Wii ;) DISCLAIMER Do not use this program to install illegal software! WAD Uninstaller DESCRIPTION This application uninstalls COMPLETELY (removes tickets and contents) from the Wii the specified titles. HOW TO USE 1. Create a folder called "wad" in the root of the SD card. 2. Copy the WADs you want to uninstall in the "wad" folder. 3. Run this application. 1.SDカードのルートにwadというフォルダを作ります 2.そのフォルダにアンインストールしたいWADファイルを入れます 3.WAD Uninstallerを実行します KUDOS bushing and marcan, for their help. Everybody who helped me in the testing process. WAD Manager DESCRIPTION WAD Manager is an application for (un)install WAD packages. It lists all the available WAD packages in a SD card or an USB device so you can select which ones to (un)install. Includes Wiimote support. HOW TO USE 1. Create a folder called "wad" in the root of a SD card/USB device. 2. Copy all the WAD packages in the folder created in the step 1. 3. Run the application with any method to load homebrew. 1.SDカード又はUSBデバイスのルートにwadというフォルダを作ります 2.そのフォルダに全てのWADファイルを入れます 3.WAD Managerを実行します KUDOS bushing and marcan (the homebrew channel is great) svpe (usbstorage driver) all my testers (pistu, SoraK05, danny.ml, yosora...) WAD Packer I don't become responsible for the wrong use that you him of to this tool This tool, it can cause bricks Purpose The objective of this tool is providing people the capacity to create its own wads, consequently, with the appropriate tools an own channel. This tool should not BE USED FOR THE PIRACY, its end is educational, How to use 1. it places in the same portfolio all the necessary files ********.app title.tmd title.tik title.cert 2. the files should have these names exactly 3. There is double click... and you will have created your title.wad in the same portfolio Creation of Channels Homebrew I CLARIFY THAT PEOPLE THAT DON'T KNOW MUCH OF THE TOPIC SHOULD NOT TAKE A RISK... to make this, it is used like in the general use, but they are placed in the portfolio, the necessary files (changing the main dol, for the dol that you/they want (they need the rest of files) WaadMaker 3 Steps to get a WAD package 1. Make a full dump of your Wii's memory using Waninkoko's Wii FileSystem Dumper v1 2. Find the TITLE.TMD file of the game/application you want to pack into a WAD All TMDs for the downloadable apps from the Wii Shop are put in WII_FS\TITLE\00010001\*KEY*\CONTENT\TITLE.TMD, all you need is the key your title uses Check http //wiibrew.org/index.php?title=Title_Database ; it lists keys for some titles 3. Run WaadMaker.exe and point it to the TMD file you located earlier, click the "Create title.wad" button and select an output folder That's all there is to it. WaadMaker should find all the .APP files listed in the .TMD, copy all of them to the output directory under the correct name, along with the correct ticket file and your CERT.SYS, and run WADPACKER on the files to produce your TITLE.WAD. Your WII_FS dump should be intact so that the program can locate all the needed files. NOTE You can't repack an extracted WAD with this tool, as the files need to be in specific places and have specific names. This only works with a NAND FS dump from a Wii with the installed title. If WaadMaker.exe doesn't run, you will need to install Microsoft .NET Framework 2.0 Thanks to KiKe - for making WADPACKER (and bringing it up to a usable 0.00007 ) Segher - for his excellent Wii tools (this program uses a modified tmd-dump that also lists SHA1) Adam Back - for his nice and simple SHA1 utility Auto Injectuwad Injector What you will need Host wad to be injected into ROM to inject (I suggest donkey kong country 2 for SNES, or Sin and Punishment for N64) common-key.bin Optional For Channel Naming bannertool.exe - by Calantra Getting started Copy the host wad you want to inject to the same folder Copy your ROM file to to the same folder Usage injectuwad rom file wad file Select the desired mode Wadtool will open Click the decrypt button Browse to the input wad file (make sure its the same wad as wad file ) Wait for wadtool to finish its magic Close wadtool When it asks "Inject to this entry?" press y (or n if you want to search for a different entry point) OPTIONAL WITH BANNER TOOL Banner tool will open Click the OpenBanner button Browse to 00000000.app Type your desired channel name in ALL "Channel Names" text boxes Click the SaveChanges button Close banner tool END OPTIONAL You should see a bunch of text ending with "All done!" You will now have VC- rom name .wad ready to be installed to your wii. Injector.ini region - Region number randomticket - Set to 1 if you want a new VC channel for the injected wad. ticketname - If randomticket is set to 0 this three letter code will be the channel's ticket name. delaytime - Set 0-9, if you have cert folder error set this to 9, else set to 0
https://w.atwiki.jp/cod4mod/pages/58.html
すべてのページを表示します。（最大100件） ロードスクリーンを作ろう！ メニュー2 メニュー ミニマップを作ろう！ マップデータのひみつ トップページ サンドボックス カスタムマップ World Textures View Model Treyarch/Scripting Syntax And Grammar Treyarch/Main Page Comments Treyarch/Main Page Treyarch/Downloading And Installing The Tools Treyarch/Category/Scripting Tool Textures Textures Setting up the Maya Environment Search Scripting Basics Script Commands Reflection Probes Radiant Toolbar Radiant Command List Mapping Radiant Command List Radiant Basics Prefabs Popular pages out of memory error Nodes Node MP Zone Files MP Mapping MP Map Checklist MP Game Script Files MP Fast Files Models in Radiant Mod Tools MAYAをてにいれてCOD４TOOLを利用可能にする Maya Making a Terrain Patch Making a room Making a custom MP load screen Main Page Comments Main Page List Of Animations Lighting Latest Articles Infinity Ward Community Wiki/About Indirect Light Gameplay standards Frequently Asked Questions ( FAQ ) End User License Agreement Editing Terrain Direct Light DAE2XME ～ COLLADAモデルコンバータ Creating a grid file Creating a Custom Video Creating a custom minimap image Creating a Custom Intro Screen COMMUNITY MAPPING CONTEST CoD4エフェクトJavaScript CoD4 Steam版日本語アップグレード導入方法 CoD4 Map light settings CoD4 Effect JavaScript Cod4 Compile Tools について Category/View Models Category/Tutorials Category/Tips Category/Scripting Category/Radiant Category/Questions Category/Nodes Category/Neta Category/Modding Category/Mod Tools Comments Category/Mod Tools Category/Misc Category/Maya Category/Mapping Category/Localize Comments Category/Localize Category/Exchange Category/Compile tools Category/Call of Duty World at War Category/Call of Duty United Offensive Category/Call of Duty 4 Modern Warfare Category/Call of Duty 2 Category/Call of Duty Category Become A Designer At Infinity Ward Battlechatter System Area866 All articles
https://w.atwiki.jp/wiki333/pages/5.html
12月28日のITニュース 2chニュースじゃないです。。。 ついに2007年1月30日に発売が決定した次世代OS Windows Vista。 GPUをOSが直接管理するWindows初のOSだが、それをには決定的な弱点があった。 ・2D描画能力はXPの20～30％ ・発売前より脆弱性が発見される ・WinFS未搭載 ・性能が良いグラボのXPマシンと、それと同じグラボのVistaマシンでは Vistaマシンの方がかるくなる。 ・性能が悪いグラボのXPマシンと、それと同じグラボのVistaマシンでは XPマシンの方がかるくなる。 ・今の最新PCでやっと動くぐらい つまり、Vistaはグラフィックだけを強化したOSともいえます。 しかしそれもMac OS XのAquaをまねたものといわれています。 よく考えるとvistaはXPから６年も待たせた割には、乗り換える利点が少ないような気がします。 Vistaの利点 ・新フォント「メイリオ」を採用 ・GUIにはWindowsAeroを採用 ・ウィンドウを3Dで表示可能 などGUIの対する更新が多いです。 しかしそれもWindows Vista Home Basicでは未サポート。 このように弱点が多いVista。 今後MSがどのように動くか、それでVistaの運命は変わる。 (何か記述内容に問題または不快感を得ましたらご連絡ください) //12/28//13 59//
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ACT I (Courtyard of Ko-Ko’s Palace in Titipu. Japanese nobles discovered standing and sitting in attitudes suggested by native drawings) CHORUS OF NOBLES If you want to know who we are, We are gentlemen of Japan On many a vase and jar, On many a screen and fan, We figure in lively paint Our attitude’s queer and quaint; You’re wrong if you think it ain’t, oh! If you think we are worked by strings, Like a Japanese marionette, You don’t understand these things It is simply Court etiquette. Perhaps you suppose this throng Can’t keep it up all day long? If that’s your idea, you’re wrong, oh! (Enter Nanki-Poo in great excitement. He carries a native guitar on his back and a bundle of ballads in his obi.) Recitative NANKI-POO Gentlemen, I pray you tell me Where a gentle maiden dwelleth, Named Yum-Yum, the ward of Ko-Ko? In pity speak, oh, speak, I pray you! A NOBLE Why, who are you who ask this question? NANKI-POO Come gather round me, and I’ll tell you. Song and Chorus NANKI-POO A wandering minstrel I A thing of shreds and patches, Of ballads, songs and snatches, And dreamy lullaby! My catalogue is long, Through every passion ranging, And to your humours changing I tune my supple song! Are you in sentimental mood? I’ll sigh with you, Oh, sorrow, On maiden’s coldness do you brood? I’ll do so, too Oh, sorrow, sorrow! I’ll charm your willing ears With songs of lovers’ fears, While sympathetic tears My cheeks bedew Oh, sorrow, sorrow! But if patriotic sentiment is wanted, I’ve patriotic ballads cut and dried; For where’er our country’s banner may be planted, All other local banners are defied! Our warriors, in serried ranks assembled, Never quail, or they conceal it if they do And I shouldn’t be surprised if nations trembled Before the mighty troops of Titipu! CHORUS We shouldn’t be surprised, etc. NANKI-POO And if you call for a song of the sea, We’ll heave the capstan round, With a yeo heave ho, for the wind is free, Her anchor’s a-trip and her helm’s a-lee, Hurrah for the homeward bound! CHORUS Yeo-ho, heave-ho Hurrah for the homeward bound! NANKI-POO To lay aloft in a howling breeze May tickle a landsman’s taste, But the happiest hour a sailor sees Is when he’s down At an inland town, With his Nancy on his knees, yeo-ho! And his arm around her waist! CHORUS Then man the capstan – off we go, As the fiddler swings us round, With a yeo heave ho, And a rum below, Hurrah for the homeward bound! NANKI-POO A wandering minstrel I, etc. (Enter Pish-Tush) PISH-TUSH And what may be your business with Yum-Yum? NANKI-POO I’ll tell you. A year ago I was a member of the Titipu town band. It was my duty to take the cap round for contributions. While discharging this delicate office, I saw Yum-Yum. We loved each other at once, but she was betrothed to her guardian Ko-Ko, a cheap tailor, and I saw that my suit was hopeless. Overwhelmed with despair, I quitted the town. Judge of my delight when I heard, a month ago, that Ko-Ko had been condemned to death for flirting! I hurried back at once, in the hope of finding Yum-Yum at liberty to listen to my protestations. PISH-TUSH It is true that Ko-Ko was condemned to death for flirting, but he was reprieved at the last moment, and raised to the exalted rank of Lord High Executioner under the following remarkable circumstances Song Pish-Tush and Chorus PISH-TUSH Our great Mikado, virtuous man, When he to rule our land began, Resolved to try A plan whereby Young men might best be steadied. So he decreed, in words succinct, That all who flirted, leered or winked (Unless connubially linked), Should forthwith be beheaded. And I expect you’ll all agree That he was right to so decree. And I am right, And you are right, And all is right as right can be! CHORUS And you are right, And we are right, etc. PISH-TUSH This stern decree, you’ll understand, Caused great dismay throughout the land! For young and old And shy and bold Were equally affected. The youth who winked a roving eye, Or breathed a non-connubial sigh, Was thereupon condemned to die He usually objected. And you’ll allow, as I expect, That he was right to so object. And I am right, And you are right, And everything is quite correct! CHORUS And you are right, And we are right, etc. PISH-TUSH And so we straight let out on bail A convict from the county jail, Whose head was next On some pretext Condemnëd to be mown off, And made him Headsman, for we said, ‘Who’s next to be decapited Cannot cut off another’s head Until he’s cut his own off.’ And we are right, I think you’ll say, To argue in this kind of way; And I am right, And you are right, And all is right, too-looral-lay! CHORUS And you are. right, And we are right, etc. (Exeunt Chorus) (Enter Pooh-Bah) NANKI-POO Ko-Ko, the cheap tailor, Lord High Executioner of Titipu! Why, that’s the highest rank a citizen can attain! POOH-BAH It is. Our logical Mikado, seeing no moral difference between the dignified judge who condemns a criminal to die, and the industrious mechanic who carries out the sentence, has rolled the two offices into one, and every judge is now his own executioner. NANKI-POO But how good of you, for I see that you are a nobleman of the highest rank, to condescend to tell all this to me, a mere strolling minstrel! POOH-BAH Don’t mention it. I am, in point of fact, a particularly haughty and exclusive person, of pre-Adamite ancestral descent. You will understand this when I tell you that I can trace my ancestry back to a protoplasmal primordial atomic globule. Consequently, my family pride is something inconceivable. I can’t help it. I was born sneering. But I struggle hard to overcome this defect. I mortify my pride continually. When all the great officers of State resigned in a body, because they were too proud to serve under an ex-tailor, did I not unhesitatingly accept all their posts at once? PISH-TUSH And the salaries attached to them? You did. POOH-BAH It is consequently my degrading duty to serve this upstart as First Lord of the Treasury, Lord Chief justice, Commander-in-Chief, Lord High Admiral, Master of the Buckhounds, Groom of the Back Stairs, Archbishop of Titipu, and Lord Mayor, both acting and elect, all rolled into one. And at a salary! A Pooh-Bah paid for his services! I a salaried minion! But I do it! It revolts me, but I do it! NANKI-POO And it does you credit. POOH-BAH But I don’t stop at that. I go and dine with middle-class people on reasonable terms. I dance at cheap suburban parties for a moderate fee. I accept refreshment at any hands, however lowly. I also retail State secrets at a very low figure. For instance, any further information about Yum-Yum would come under the head of a State secret, (Nanki-Poo takes the hint, and gives him money.) (Aside.) Another insult, and, I think, a light one! Song Poo-Bah, Nanki-Poo, Pish-Tush. POOH-BAH Young man, despair, Likewise go to, Yum-Yum the fair You must not woo. It will not do I’m sorry for you, You very imperfect ablutioner! This very day From school Yum-Yum Will wend her way, And homeward come, With beat of drum And a rum-tum-tum, To wed the Lord High Executioner! And the brass will crash, And the trumpets bray, And they’ll cut a dash On their wedding day. She’ll toddle away, as all aver, With the Lord High Executioner! NANKI-POO, PISH TUSH And the brass will crash, etc. ALL She’ll toddle away, etc. POOH-BAH It’s a hopeless case, As you may see, And in your place Away I’d flee; But don’t blame me. I’m sorry to be Of your pleasure a diminutioner. They’ll vow their pact Extremely soon, In point of fact This afternoon. Her honeymoon With that buffoon At seven commences, so you shun her! NANKI-POO, PISH-TUSH And the brass will crash, etc. ALL She’ll toddle away, etc. (Exit Pish-Tush) Recitative Nanki-Poo, Pooh-Bah NANKI-POO And I have journeyed for a month, or nearly, To learn that Yum-Yum, whom I love so dearly, This day to Ko-Ko is to be united! POOH-BAH The fact appears to be as you’ve recited But here he comes, equipped as suits his station; He’ll give you any further information. (Exeunt Nanki-Poo and Pooh-Bah) (EnterChorus of Nobles.) NOBLES Behold the Lord High Executioner! A personage of noble rank and title, A dignified and potent officer, Whose functions are particularly vital! Defer, defer, To the Lord High Executioner! (Enter Ko-Ko attended.) KO-KO Taken from the county jail By a set of curious chances; Liberated then on bail, On my own recognizances; Wafted by a favouring gale As one sometimes is in trances, To a height that few can scale, Save by long and weary dances; Surely, never had a male Under such-like circumstances So adventurous a tale, Which may rank with most romances. CHORUS Taken from the county jail, etc. Defer, defer, To the Lord High Executioner, etc. KO-KO Gentlemen, I’m much touched by this reception. I can only trust that by strict attention to duty I shall ensure a continuance of those favours which it will ever be my study to deserve. If I should ever be called upon to act professionally, I am happy to think that there will be no difficulty in finding plenty of people whose loss will be a distinct gain to society at large. Song Ko-Ko with Chorus KO-KO As some day it may happen that a victim must be found, I’ve got a little list. I’ve got a little list Of society offenders who might well be underground, And who never would be missed who never would be missed! There’s the pestilential nuisances who write for autographs All people who have flabby hands and irritating laughs All children who are up in dates, and floor you with ’em flat All persons who in shaking hands, shake hands with you like that And all third persons who on spoiling tête-à-têtes insist They’d none of ’em be missed! They’d none of ’em be missed! CHORUS He’s got ’em on the list! He’s got ’em on the list; And they’ll none of ’em be missed! They’ll none of ’em be missed. KO-KO There’s the banjo serenader, and the others of his race, And the piano-organist I’ve got him on the list! And the people who eat peppermint and puff it in your face, They never would be missed! They never would be missed! Then the idiot who praises, with enthusiastic tone, All centuries but this, and every country but his own; And the lady from the provinces, who dresses like a guy, And who ‘doesn’t think she dances, but would rather like to try’; And that singular anomaly, the lady novelist I don’t think she’d be missed I’m sure she’d not be missed! CHORUS He’s got her on they list! He’s got her on the list! And I don’t think she’ll be missed I’m sure she’ll not be missed! KO-KO And that "Nisi Prius" nuisance, who just now is rather rife, The judicial humorist. I’ve got him on the list! All funny fellows, comic men, and clowns of private life. They’d none of ’em be missed! They’d none of ’em be missed! And apologetic statesmen of a compromising kind, Such as, What d’ye call him, Thing’em-bob, and likewise Never-mind, And ’St, ’st, ’st and What’s-his-name, and also You-know-who. The task of filling up the blanks I’d rather leave to you. But it really doesn’t matter whom you put upon the list, For they’d none of ’em be missed! They’d none of ’em be missed! CHORUS You may put ’em on the list! you may put ’em on the list! And they’ll none of ’em be missed! They’ll none of ’em be missed! (Exeunt Chorus) (Enter Pooh-Bah) KO-KO Pooh-Bah, it seems that the festivities in connection with my approaching marriage must last a week. I should like to do it handsomely, and I want to consult you as to the amount I ought to spend upon them. POOH-BAH Certainly. In which of my capacities? As First Lord of the Treasury, Lord Chamberlain, Attorney-General, Chancellor of the Exchequer, Privy Purse, or Private Secretary? KO-KO Suppose we say as Private Secretary. POOH-BAH Speaking as your Private Secretary, I should say that, as the city will have to pay for it, don’t stint yourself, do it well. KO-KO Exactly, as the city will have to pay for it. That is your advice. POOH-BAH As Private Secretary. Of course you will understand that, as Chancellor of the Exchequer, I am bound to see that due economy is, observed. KO-KO Oh! But you said just now ‘Don’t stint yourself, do it well’. POOH-BAH As Private Secretary. KO-KO And now you say that due economy must be observed. POOH-BAH As Chancellor of the Exchequer. KO-KO Come over here, where the Chancellor can’t hear us. (They cross the stage.) Now, as my Solicitor, how do you advise me to deal with this difficulty? POOH-BAH Oh, as your Solicitor, I should have no hesitation in saying ‘Chance it’ KO-KO Thank you. (Shaking his hand) I will. POOH-BAH If it were not that, as Lord Chief Justice, I am bound to see that the law isn’t violated. KO-KO I see. Come over here where the Chief Justice can’t hear us. (They cross the stage.) Now, then, as First Lord of the Treasury? POOH-BAH Of course, as First Lord of the Treasury, I could propose a special vote that would cover all expenses, if it were not that, as Leader of the Opposition, it would be my duty to resist it, tooth and nail. Or, as Paymaster-General, I could so cook the accounts that, as Lord High Auditor, I should never discover the fraud. But then, as Archbishop of Titipu, it would be my duty to denounce my dishonesty and give myself into my own custody as First Commissioner of Police. KO-KO That’s extremely awkward. POOH-BAH I don’t say that all these distinguished people couldn’t be squared; but it is right to tell that they wouldn’t be sufficiently degraded in their own estimation unless they were insulted with a very considerable bribe. KO-KO The matter shall have my careful consideration. But my bride and her sisters approach, and any little compliment on your part, such as an abject grovel in a characteristic Japanese attitude, would be esteemed a favour. POOH-BAH No money – no grovel! (Exeunt together) (Enter procession of Yum-Yum’s school fellows, heralding Yum-Yum, Peep-Bo and Pitti-Sing) GIRLS Comes a train of little ladies From scholastic trammels free, Each a little bit afraid is, Wondering what the world can be! Is it but a world of trouble Sadness set to song? Is its beauty but a bubble Bound to break ere long? Are its palaces and pleasures Fantasies that fade? And the glory of its treasures Shadow of a shade? Schoolgirls we, eighteen and under, From scholastic trammels free, And we wonder, how we wonder! What on earth the world can be! Trio with chorus Yum-Yum, Peep-Bo, Pitti-Sing THE THREE Three little maids from school are we, Pert as a school-girl well can be Filled to the brim with girlish glee, Three little maids from school! YUM-YUM Everything is a source of fun. (Chuckle.) PEEP-BO Nobody’s safe, for we care for none! (Chuckle.) PITTI-SING Life is a joke that’s just begun! (Chuckle.) THE THREE Three little maids from school! ALL (dancing) Three, little maids who, all unwary, Come from a ladies’ seminary, Freed from its genius tutelary. THE THREE (suddenly demure) Three little maids from school! YUM-YUM One little maid is a bride, Yum-Yum. PEEP-BO Two little maids in attendance come. PITTI-SING Three little maids is the total sum. THE THREE Three little maids from school! YUM-YUM From three little maids take one away. PEEP-BO Two little maids remain, and they PITTI-SING Won’t have to wait very long, they say THE THREE Three little maids from school! ALL (dancing) Three little maids who, all unwary, Come from a ladies’ seminary, Freed from its genius tutelary. THE THREE (suddenly demure) Three little maids from school! ACT I (Courtyard of Ko-Ko’s Palace in Titipu. Japanese nobles discovered standing and sitting in attitudes suggested by native drawings) CHORUS OF NOBLES If you want to know who we are, We are gentlemen of Japan On many a vase and jar, On many a screen and fan, We figure in lively paint Our attitude’s queer and quaint; You’re wrong if you think it ain’t, oh! If you think we are worked by strings, Like a Japanese marionette, You don’t understand these things It is simply Court etiquette. Perhaps you suppose this throng Can’t keep it up all day long? If that’s your idea, you’re wrong, oh! (Enter Nanki-Poo in great excitement. He carries a native guitar on his back and a bundle of ballads in his obi.) Recitative NANKI-POO Gentlemen, I pray you tell me Where a gentle maiden dwelleth, Named Yum-Yum, the ward of Ko-Ko? In pity speak, oh, speak, I pray you! A NOBLE Why, who are you who ask this question? NANKI-POO Come gather round me, and I’ll tell you. Song and Chorus NANKI-POO A wandering minstrel I A thing of shreds and patches, Of ballads, songs and snatches, And dreamy lullaby! My catalogue is long, Through every passion ranging, And to your humours changing I tune my supple song! Are you in sentimental mood? I’ll sigh with you, Oh, sorrow, On maiden’s coldness do you brood? I’ll do so, too Oh, sorrow, sorrow! I’ll charm your willing ears With songs of lovers’ fears, While sympathetic tears My cheeks bedew Oh, sorrow, sorrow! But if patriotic sentiment is wanted, I’ve patriotic ballads cut and dried; For where’er our country’s banner may be planted, All other local banners are defied! Our warriors, in serried ranks assembled, Never quail, or they conceal it if they do And I shouldn’t be surprised if nations trembled Before the mighty troops of Titipu! CHORUS We shouldn’t be surprised, etc. NANKI-POO And if you call for a song of the sea, We’ll heave the capstan round, With a yeo heave ho, for the wind is free, Her anchor’s a-trip and her helm’s a-lee, Hurrah for the homeward bound! CHORUS Yeo-ho, heave-ho Hurrah for the homeward bound! NANKI-POO To lay aloft in a howling breeze May tickle a landsman’s taste, But the happiest hour a sailor sees Is when he’s down At an inland town, With his Nancy on his knees, yeo-ho! And his arm around her waist! CHORUS Then man the capstan – off we go, As the fiddler swings us round, With a yeo heave ho, And a rum below, Hurrah for the homeward bound! NANKI-POO A wandering minstrel I, etc. (Enter Pish-Tush) PISH-TUSH And what may be your business with Yum-Yum? NANKI-POO I’ll tell you. A year ago I was a member of the Titipu town band. It was my duty to take the cap round for contributions. While discharging this delicate office, I saw Yum-Yum. We loved each other at once, but she was betrothed to her guardian Ko-Ko, a cheap tailor, and I saw that my suit was hopeless. Overwhelmed with despair, I quitted the town. Judge of my delight when I heard, a month ago, that Ko-Ko had been condemned to death for flirting! I hurried back at once, in the hope of finding Yum-Yum at liberty to listen to my protestations. PISH-TUSH It is true that Ko-Ko was condemned to death for flirting, but he was reprieved at the last moment, and raised to the exalted rank of Lord High Executioner under the following remarkable circumstances Song Pish-Tush and Chorus PISH-TUSH Our great Mikado, virtuous man, When he to rule our land began, Resolved to try A plan whereby Young men might best be steadied. So he decreed, in words succinct, That all who flirted, leered or winked (Unless connubially linked), Should forthwith be beheaded. And I expect you’ll all agree That he was right to so decree. And I am right, And you are right, And all is right as right can be! CHORUS And you are right, And we are right, etc. PISH-TUSH This stern decree, you’ll understand, Caused great dismay throughout the land! For young and old And shy and bold Were equally affected. The youth who winked a roving eye, Or breathed a non-connubial sigh, Was thereupon condemned to die He usually objected. And you’ll allow, as I expect, That he was right to so object. And I am right, And you are right, And everything is quite correct! CHORUS And you are right, And we are right, etc. PISH-TUSH And so we straight let out on bail A convict from the county jail, Whose head was next On some pretext Condemnëd to be mown off, And made him Headsman, for we said, ‘Who’s next to be decapited Cannot cut off another’s head Until he’s cut his own off.’ And we are right, I think you’ll say, To argue in this kind of way; And I am right, And you are right, And all is right, too-looral-lay! CHORUS And you are. right, And we are right, etc. (Exeunt Chorus) (Enter Pooh-Bah) NANKI-POO Ko-Ko, the cheap tailor, Lord High Executioner of Titipu! Why, that’s the highest rank a citizen can attain! POOH-BAH It is. Our logical Mikado, seeing no moral difference between the dignified judge who condemns a criminal to die, and the industrious mechanic who carries out the sentence, has rolled the two offices into one, and every judge is now his own executioner. NANKI-POO But how good of you, for I see that you are a nobleman of the highest rank, to condescend to tell all this to me, a mere strolling minstrel! POOH-BAH Don’t mention it. I am, in point of fact, a particularly haughty and exclusive person, of pre-Adamite ancestral descent. You will understand this when I tell you that I can trace my ancestry back to a protoplasmal primordial atomic globule. Consequently, my family pride is something inconceivable. I can’t help it. I was born sneering. But I struggle hard to overcome this defect. I mortify my pride continually. When all the great officers of State resigned in a body, because they were too proud to serve under an ex-tailor, did I not unhesitatingly accept all their posts at once? PISH-TUSH And the salaries attached to them? You did. POOH-BAH It is consequently my degrading duty to serve this upstart as First Lord of the Treasury, Lord Chief justice, Commander-in-Chief, Lord High Admiral, Master of the Buckhounds, Groom of the Back Stairs, Archbishop of Titipu, and Lord Mayor, both acting and elect, all rolled into one. And at a salary! A Pooh-Bah paid for his services! I a salaried minion! But I do it! It revolts me, but I do it! NANKI-POO And it does you credit. POOH-BAH But I don’t stop at that. I go and dine with middle-class people on reasonable terms. I dance at cheap suburban parties for a moderate fee. I accept refreshment at any hands, however lowly. I also retail State secrets at a very low figure. For instance, any further information about Yum-Yum would come under the head of a State secret, (Nanki-Poo takes the hint, and gives him money.) (Aside.) Another insult, and, I think, a light one! Song Poo-Bah, Nanki-Poo, Pish-Tush. POOH-BAH Young man, despair, Likewise go to, Yum-Yum the fair You must not woo. It will not do I’m sorry for you, You very imperfect ablutioner! This very day From school Yum-Yum Will wend her way, And homeward come, With beat of drum And a rum-tum-tum, To wed the Lord High Executioner! And the brass will crash, And the trumpets bray, And they’ll cut a dash On their wedding day. She’ll toddle away, as all aver, With the Lord High Executioner! NANKI-POO, PISH TUSH And the brass will crash, etc. ALL She’ll toddle away, etc. POOH-BAH It’s a hopeless case, As you may see, And in your place Away I’d flee; But don’t blame me. I’m sorry to be Of your pleasure a diminutioner. They’ll vow their pact Extremely soon, In point of fact This afternoon. Her honeymoon With that buffoon At seven commences, so you shun her! NANKI-POO, PISH-TUSH And the brass will crash, etc. ALL She’ll toddle away, etc. (Exit Pish-Tush) Recitative Nanki-Poo, Pooh-Bah NANKI-POO And I have journeyed for a month, or nearly, To learn that Yum-Yum, whom I love so dearly, This day to Ko-Ko is to be united! POOH-BAH The fact appears to be as you’ve recited But here he comes, equipped as suits his station; He’ll give you any further information. (Exeunt Nanki-Poo and Pooh-Bah) (EnterChorus of Nobles.) NOBLES Behold the Lord High Executioner! A personage of noble rank and title, A dignified and potent officer, Whose functions are particularly vital! Defer, defer, To the Lord High Executioner! (Enter Ko-Ko attended.) KO-KO Taken from the county jail By a set of curious chances; Liberated then on bail, On my own recognizances; Wafted by a favouring gale As one sometimes is in trances, To a height that few can scale, Save by long and weary dances; Surely, never had a male Under such-like circumstances So adventurous a tale, Which may rank with most romances. CHORUS Taken from the county jail, etc. Defer, defer, To the Lord High Executioner, etc. KO-KO Gentlemen, I’m much touched by this reception. I can only trust that by strict attention to duty I shall ensure a continuance of those favours which it will ever be my study to deserve. If I should ever be called upon to act professionally, I am happy to think that there will be no difficulty in finding plenty of people whose loss will be a distinct gain to society at large. Song Ko-Ko with Chorus KO-KO As some day it may happen that a victim must be found, I’ve got a little list. I’ve got a little list Of society offenders who might well be underground, And who never would be missed who never would be missed! There’s the pestilential nuisances who write for autographs All people who have flabby hands and irritating laughs All children who are up in dates, and floor you with ’em flat All persons who in shaking hands, shake hands with you like that And all third persons who on spoiling tête-à-têtes insist They’d none of ’em be missed! They’d none of ’em be missed! CHORUS He’s got ’em on the list! He’s got ’em on the list; And they’ll none of ’em be missed! They’ll none of ’em be missed. KO-KO There’s the banjo serenader, and the others of his race, And the piano-organist I’ve got him on the list! And the people who eat peppermint and puff it in your face, They never would be missed! They never would be missed! Then the idiot who praises, with enthusiastic tone, All centuries but this, and every country but his own; And the lady from the provinces, who dresses like a guy, And who ‘doesn’t think she dances, but would rather like to try’; And that singular anomaly, the lady novelist I don’t think she’d be missed I’m sure she’d not be missed! CHORUS He’s got her on they list! He’s got her on the list! And I don’t think she’ll be missed I’m sure she’ll not be missed! KO-KO And that "Nisi Prius" nuisance, who just now is rather rife, The judicial humorist. I’ve got him on the list! All funny fellows, comic men, and clowns of private life. They’d none of ’em be missed! They’d none of ’em be missed! And apologetic statesmen of a compromising kind, Such as, What d’ye call him, Thing’em-bob, and likewise Never-mind, And ’St, ’st, ’st and What’s-his-name, and also You-know-who. The task of filling up the blanks I’d rather leave to you. But it really doesn’t matter whom you put upon the list, For they’d none of ’em be missed! They’d none of ’em be missed! CHORUS You may put ’em on the list! you may put ’em on the list! And they’ll none of ’em be missed! They’ll none of ’em be missed! (Exeunt Chorus) (Enter Pooh-Bah) KO-KO Pooh-Bah, it seems that the festivities in connection with my approaching marriage must last a week. I should like to do it handsomely, and I want to consult you as to the amount I ought to spend upon them. POOH-BAH Certainly. In which of my capacities? As First Lord of the Treasury, Lord Chamberlain, Attorney-General, Chancellor of the Exchequer, Privy Purse, or Private Secretary? KO-KO Suppose we say as Private Secretary. POOH-BAH Speaking as your Private Secretary, I should say that, as the city will have to pay for it, don’t stint yourself, do it well. KO-KO Exactly, as the city will have to pay for it. That is your advice. POOH-BAH As Private Secretary. Of course you will understand that, as Chancellor of the Exchequer, I am bound to see that due economy is, observed. KO-KO Oh! But you said just now ‘Don’t stint yourself, do it well’. POOH-BAH As Private Secretary. KO-KO And now you say that due economy must be observed. POOH-BAH As Chancellor of the Exchequer. KO-KO Come over here, where the Chancellor can’t hear us. (They cross the stage.) Now, as my Solicitor, how do you advise me to deal with this difficulty? POOH-BAH Oh, as your Solicitor, I should have no hesitation in saying ‘Chance it’ KO-KO Thank you. (Shaking his hand) I will. POOH-BAH If it were not that, as Lord Chief Justice, I am bound to see that the law isn’t violated. KO-KO I see. Come over here where the Chief Justice can’t hear us. (They cross the stage.) Now, then, as First Lord of the Treasury? POOH-BAH Of course, as First Lord of the Treasury, I could propose a special vote that would cover all expenses, if it were not that, as Leader of the Opposition, it would be my duty to resist it, tooth and nail. Or, as Paymaster-General, I could so cook the accounts that, as Lord High Auditor, I should never discover the fraud. But then, as Archbishop of Titipu, it would be my duty to denounce my dishonesty and give myself into my own custody as First Commissioner of Police. KO-KO That’s extremely awkward. POOH-BAH I don’t say that all these distinguished people couldn’t be squared; but it is right to tell that they wouldn’t be sufficiently degraded in their own estimation unless they were insulted with a very considerable bribe. KO-KO The matter shall have my careful consideration. But my bride and her sisters approach, and any little compliment on your part, such as an abject grovel in a characteristic Japanese attitude, would be esteemed a favour. POOH-BAH No money – no grovel! (Exeunt together) (Enter procession of Yum-Yum’s school fellows, heralding Yum-Yum, Peep-Bo and Pitti-Sing) GIRLS Comes a train of little ladies From scholastic trammels free, Each a little bit afraid is, Wondering what the world can be! Is it but a world of trouble Sadness set to song? Is its beauty but a bubble Bound to break ere long? Are its palaces and pleasures Fantasies that fade? And the glory of its treasures Shadow of a shade? Schoolgirls we, eighteen and under, From scholastic trammels free, And we wonder, how we wonder! What on earth the world can be! Trio with chorus Yum-Yum, Peep-Bo, Pitti-Sing THE THREE Three little maids from school are we, Pert as a school-girl well can be Filled to the brim with girlish glee, Three little maids from school! YUM-YUM Everything is a source of fun. (Chuckle.) PEEP-BO Nobody’s safe, for we care for none! (Chuckle.) PITTI-SING Life is a joke that’s just begun! (Chuckle.) THE THREE Three little maids from school! ALL (dancing) Three, little maids who, all unwary, Come from a ladies’ seminary, Freed from its genius tutelary. THE THREE (suddenly demure) Three little maids from school! YUM-YUM One little maid is a bride, Yum-Yum. PEEP-BO Two little maids in attendance come. PITTI-SING Three little maids is the total sum. THE THREE Three little maids from school! YUM-YUM From three little maids take one away. PEEP-BO Two little maids remain, and they PITTI-SING Won’t have to wait very long, they say THE THREE Three little maids from school! ALL (dancing) Three little maids who, all unwary, Come from a ladies’ seminary, Freed from its genius tutelary. THE THREE (suddenly demure) Three little maids from school! Sullivan,Arthur/The Mikado/I-2
https://w.atwiki.jp/seiyu-coversong/pages/3180.html
原曲・The Jackson 5 音楽グループ･ジャクソン5が1969年に発表した楽曲。 【登録タグ 1969年の楽曲 The Jackson 5 ジャクソン5 洋楽】 カバーした声優 白鳥由里 鉄炮塚葉子
https://w.atwiki.jp/tljtrans/pages/68.html
All the time I spent trying to get into the theater, he could ve just quietly walked out to meet me. I feel like kicking the guy. Looks like Cortez is enjoying the movie. Good for him. You have no idea what I went through to find you. First-- Do you like movies? Sure, who doesn t-- Wait a second, I was trying to tell you that-- I don t much like modern movies, myself. They re either too loud and expensive, or too obscure and self-indulgent. But old movies -- really old movies -- have a charm and a simplicity that appeals to me. Listen, please don t interrupt me again. It s starting to piss me off. Why did you make me search all over the city for you? Search for me? I ve been here for hours, serita. I haven t moved. The question ought to be, what made you go out of your way to find me? But I have never interrupted you! Unless I ve had something important to say, of course. But go ahead. What is it you wanted to talk about? We agreed to meet this morning, remember? I had nothing better to do. What s so appealing about old movies? As I remember it, there was no agreement. I said "tomorrow", but you refused. I assumed you weren t interested. I apologize for making myself unavailable, however. A beautiful girl like yourself always has something better to do. I apologize for inconveniencing you today, but I had to...disappear, for a little while. Ah, now you re changing the subject! That s more my style, isn t it? Don t give me that. You wanted me to come looking for you again. Actually, no. I had to...lay low for a few hours. You can be annoyingly smug at times, did you know that? Of course. And I apologize for being so hard to locate today, but I had to...lay low for a few hours. Does it have anything to do with the cop that was staking this place out? Nyo! So it was a good thing I didn t stick my head out the door to look for you, then, si? He s gone now. Are you in some kind of trouble with the police? Wait, don t tell me. Immigration. No, serita. Not the police. There are bigger players than the police. I don t wanna know. I m not getting mixed up with the mob or gangs or anything like that. There s not much you want to be mixed up in at all, is there? My life s complicated enough as it is, Mr Cortez. I don t even know what I m doing here. Answers. You want -- you need -- answers. You keep telling me that, but you never give me any answers. Just more questions. Like who s out to get you? What s going on with me? How come you know so much about me? I plan to answer all your questions today, April. By the time you go to sleep tonight, your world will have changed. And nothing will ever be the same. You re just being cryptic again. It s like soap opera sex. Lots of boring dialogue, and when they finally do go to bed, everything s dark and covered by blankets. You want the full monty, then? Come with me, come outside. No more talk. I will show you the truth.